![]() ![]() ![]() He incites interesting drama in the dynamic proceedings and the slang-n-sharp dialogues add to the intensity. Debutante director Ankush Bhatt shows immense potential in handling the film with the level of dexterity it demands. The characters and the situation, that writer Ghalib Asad Bhopali pens, seem absolutely real and riveting. He is utilized to the same effect like Ben Kingsley was exploited in the Big B starrer Teen Patti – as an audience-cum-admirer to the actual storyteller (Tabrez).Ĭutting back and forth into continual flashbacks, the storytelling is quick, crisp and engrossing and often uses analogy with the game of chess to establish its characters and their conflicts. Though Kay Kay Menon adds screen presence and a saleable tag to this small-budget cinema, his character, in an extended special appearance, remains undefined and peripheral to the plot throughout. The entire story unveils in flashback as Tabrez narrates it to an unspecified bigshot entity (Kay Kay Menon) over a game of chess. Things take an ugly turn when Fateh takes charge of the area on Mamu’s demise and joins hands with rival gang, headed by Pandey ( Piyush Mishra), to indulge in unethical practices. Both work as close associates of Mamu (Pawan Malhotra) who rules supreme in the region. Fateh (Prashant Narayanan) and Tabrez (Gautam Sharma) grow up in the dingy bylanes of Bhindi Baazaar to be proficient pickpockets. ![]()
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